23 February saw Adelaide DJ Pat Petronio behind the deck at Milonga Capital 2019, and this week features the third hour of her exquisite playlist. That’s this Sunday on Tango Capital, 7:00pm to 8:00pm:

• broadcasting on 2xxfm 98.3 in Canberra,
• streaming live and also on demand from http://www.2xxfm.org.au

Image: Getting ready for Milonga Capital 2019

PLAYLIST:

Tango Capital returns to play the fourth Sunday of the month broadcasting a milonguita playlist for dancers . That’s this Sunday on Tango Capital, 7:00pm to 8:00pm:

• broadcasting on 2xxfm 98.3 in Canberra,
• streaming live and also on demand from http://www.2xxfm.org.au

PLAYLIST:

Tango is a social dance, and the quintessential social activity is a conversation. Tanguero Peter Newell introduces his  ‘5Cs’ that go together to make up the tango conversation.   That’s this Sunday on Tango Capital, 7:00pm to 8:00pm:

• broadcasting on 2xxfm 98.3 in Canberra,
• streaming live and also on demand from http://www.2xxfm.org.au

Image: by courtesy of Iris Toren.

This interview can be played here:

PLAYLIST:

• La Cumparsita, meaning ‘The Little March’; recorded by Bianco-Bachicha on 28 January 1928; a tango with music composed by Gerardo Matos Rodríguez in 1924, lyrics by Pascual Contursi, Enrique Maroni, and Gerado Matos Rodríguez.
• Poema, meaning ‘Poem’; recorded by Francisco Canaro on 11 June 1935; a tango with music composed by Mario Melfi in 1935, lyrics by Eduardo Bianco, and sung by Roberto Maida.
• El Pañuelito, meaning ‘The Little Handkerchief’; recorded by Juan D’Arienzo on 26 August 1963; a tango with music composed by Juan de Dos Filiberto, first recorded in 1920, lyrics by Gabino Coria Peñaloza, and sung by Héctor Millán and Jorge Valdez.
• Coqueta, meaning ‘Coquette’; recorded by Orquesta Típica Victor on 19 June 1929; a tango with music composed by Osman Pérez Freire.
• Canto De Amor, meaning ‘Love Song’; recorded by Osvaldo Fresedo on 18 June 1934; a tango with music composed by Osvaldo Fresedo, lyrics by Emilio Augusto Oscar Fresedo, and sung by Roberto Ray.
• Felicia, from the collection ‘La Cumparsita’ recorded by Orquesta Juan D’Arienzo in 1984; a tango with music composed by Enrique Saborido, first recorded in 1927 and lyrics by Carlos Maurcio Pacheco. Orquesta Juan D’Arienzo was the name of this re-grouping of Juan D’Arienzo’s musicians after he retired; they also worked under the name Los Solistas De Juan D’Arienzo. The lyrics are a cry of loss from a Uruguayan expatriate who believes he will never see or smell the flowers and beaches of his homeland again, but there are no records of them ever being recorded.

Last edition took a brief look at the singing of Jorge Maciel, and this edition explores his recording legacy with Pugliese in more detail. That’s this Sunday on Tango Capital, 7:00pm to 8:00pm:

• broadcasting on 2xxfm 98.3 in Canberra,
• streaming live and also on demand from http://www.2xxfm.org.au

Image Credit: http://www.todotango.com/creadores/ficha/967/Jorge-Maciel

PLAYLIST:

• Canzoneta, meaning ‘Little Tune’; recorded by Osvaldo Pugliese on 29 October 1954; a tango with music composed by Erma Suárez in 1951, lyrics by Enrique Lary, and sung by Jorge Maciel.
• Si Yo Pudiera Olvidarla, meaning ‘If I Could Forget Her’; recorded by Osvaldo Pugliese on 13 December 1954; a tango with music composed by Osvaldo Taratino, lyrics by Alfredo Lucero Palacios, and sung by Jorge Maciel.
• Cascabelito, meaning ‘Jingling Bell’; recorded by Osvaldo Pugliese on 22 September 1955; a tango with music composed by José Bohr in 1924, lyrics by Juan Andrés Caruso, and sung by Jorge Maciel.
• Esta Noche De Luna, meaning ‘This Night Of The Moon’; recorded by Osvaldo Pugliese on 2 September 1955; a tango with music composed by Graciano Gómez and José García, first recorded in 1943, lyrics by Héctor Marcó, and sung by Jorge Maciel.
• Y Todavía Te Quiero, meaning ‘And I Always Desire You’; recorded by Osvaldo Pugliese on 21 June 1956; a tango with music composed by Luciano Leocata in 1956, lyrics by Abel Aznar, and sung by Jorge Maciel.
• No Me Hablen De Ella, meaning ‘Do Not Speak To Me Of Her’; recorded by Osvaldo Pugliese on 25 October 1957; a tango with music composed by Titi Rossi and Jorge Mareira, lyrics by Titi Rossi and Jorge Mareira, and sung by Jorge Maciel.
• Perla Fina, meaning ‘Fine Pearl’; recorded by Osvaldo Pugliese on 18 December 1957; a tango with music composed by Juan Carlos Lotito and Norbeto Omar Lotito, lyrics by Vladimiro Vega, and sung by Jorge Maciel.
• Melenita De Ora, meaning ‘Hair Of Gold’; recorded by Osvaldo Pugliese in 1960; a tango with music composed by Carlos Vicente Geroni Flores in 1922, lyrics by Samuel Linnig, and sung by Jorge Maciel.
• Dos Amores, meaning ‘Two Loves’; recorded by Osvaldo Pugliese in 1961; a tango with music composed by Antonio Sureda, first recorded in 1932, lyrics by Gerónimo Sureda, and sung by Jorge Maciel.
• Candombe Blanco, meaning ‘White Candombe’; recorded by Osvaldo Pugliese in 1961; a milonga with music composed by Emilio Balcarce, first recorded in 1961, lyrics by Julio Camilloni, and sung by Jorge Maciel and Alfredo Belusi.
• Por Qué La Quise Tango, meaning ‘Why I Love d Her So Much’; recorded by Osvaldo Pugliese in 1962; a tango with music composed by Mariano Mores in 1961, lyrics by Rodolfo M Taboada, and sung by Jorge Maciel.
• El Adiós, meaning ‘The Good-bye’; recorded by Osvaldo Pugliese in 1963; a tango with music composed by Maruja Pacheco Huergo in 1937, lyrics by Virgilio San Clemente, and sung by Jorge Maciel.
• Jamás Lo Vas A Saber, meaning ‘You Will Never Know’; recorded by Osvaldo Pugliese in 1966; a tango with music composed by Manual Sucher, lyrics by Abel Aznar, and sung by Jorge Maciel.
• Qué Solo Estoy, meaning ‘How Lonely I Am’; recorded by Osvaldo Pugliese in 1966; a tango with music composed by Raúl Kaplún, first recorded in 1943, lyrics by Roberto Miro, and sung by Jorge Maciel.
• Navidad, meaning ‘Christmas’; recorded by Osvaldo Pugliese in 1966; a vals with music composed by Osvaldo Pugliese, lyrics by Eduardo Moreno, and sung by Jorge Maciel.