“Yeites of the Tango Guitar”, with Owen Salome

2018-01-20 - Owen Salome, 28 October 2017

 

There is a discussion of Owen Salome’s presentation on the guitar-playing techniques specific to tango, the interview with Wei-Siong Liang of Launceston continues his observations on linkages between tango and the martial arts, and the double bass player Kicho Díaz features,. That’s Tango Capital, Sunday evening from 7:00pm to 8:00pm:

Image: Owen Salome, 28 October 2017, at the Sydney Tango House.

PLAYLIST:

  • Milongueando En El Cuarenta, meaning ‘Dancing Tango In The 1940s’; recorded by Anibal Troilo on 26 December 1941; a tango with music composed by Armando Pontier, and sung by .
  • Contrabajisimo, meaning ‘Excellent Double Bass’; from the ‘Hora Cero’ release recorded by Astor Piazzolla in 1985; a concierto with music composed by Astor Piazzolla.
  • Danzarín, meaning ‘Dancer’; recorded by Anibal Troilo on 15 December 1958; a tango with music composed by Julián Plaza.
  • Kicho; recorded by Sexteto Mayor in 1977; a concierto with music composed by Astor Piazzolla, first recorded in 1970. The name is a reference to the double bass player Kicho Díaz.
  • El Irrestistible, meaning ‘The Irresistable’; recorded by Francisco Canaro on 9 April 1959; a tango with music composed by Lorenzo Logatti, first recorded in 1931 and lyrics by Carlos Pesce.
  • El Porteñito, meaning ‘The Young Man of Buenos Aires’; from the ‘Hugo Rivas’ release recorded by Hugo Rivas in 2013 with guest artist Luis Salinas; a concierto with music composed by Ángel Villoldo, first recorded in 1924 and lyrics by Carlos Pesce and Antonio Polito.
  • La Cumparsita, meaning ‘The Little March’; recorded by Carlos Gardel on 17 December 1927; a cancion with music composed by Gerado Matos Rodríguez in 1916 and lyrics by Pascual Contursi, Enrique Maroni, and Gerado Matos Rodríguez.
  • Lagrimas Y Sonrisas, meaning ‘Tears And Smiles’; recorded by Juan D’Arienzo on 29 September 1936; a vals with music composed by Pascual De Gullo, first recorded in 1914 and lyrics by Francisco Gullo.

Francisco Amor – the singing

2018-01-11 - Francisco Amor (2)

Last edition looked at the life and times of Francisco Amor, and this edition showcases his singing with Francisco Canaro from 1938 to 1941: that’s Tango Capital this Sunday evening from 7:00pm to 8:00pm:

Image Credit: http://www.todotango.com/creadores/biografia/917/Francisco-Amor/

PLAYLIST:

  • A La Huacachina, meaning ‘To The Tryst, Maid’; recorded by Francisco Canaro on 27 February 1939; a paso doble sung by Francisco Amor. The name is a reference to a word used by indigenous cultures to indicate a meetiing place for lovers; “china” is reference to a young woman of indigenous background.
  • La Zandunga, meaning ‘Celebration’; recorded by Francisco Canaro on 30 March 1939; a canción popular mexicana with music composed by Andres Gutierrez, lyrics by Máximo Ramó Ortiz, and sung by Francisco Amor.
  • Las Promesas En Amor, meaning ‘The Promises In Love’; recorded by Francisco Canaro on 13 October 1939; a ranchera with music composed by Francisco Canaro, lyrics by Ivo Pelay, and sung by Francisco Amor.
  • Patria Hermana, meaning ‘Beautiful Fatherland’; recorded by Francisco Canaro on 11 September 1939; a marcha heroica with music composed by Francisco Canaro, lyrics by Ivo Pelay, and sung by Francisco Amor and Ernesto Famá.
  • Cuartito Azul, meaning ‘Little Blue Room’; recorded by Francisco Canaro on 14 September 1939; a tango with music composed by Mariano Mores in 1938, lyrics by Mario Battistella, and sung by Francisco Amor.
  • Salud, Dinero, Y Amor, meaning ‘Health, Wealth, And Love’; recorded by Francisco Canaro on 11 September 1939; a vals with music and lyrics composed by Rodolfo Sciammarella in 1939, and sung by Francisco Amor.
  • Cuando Estaba Enamorado, meaning ‘When I Was In Love’; recorded by Francisco Canaro on 14 March 1940; a vals with music and lyrics composed by Rodolfo Sciammarella, and sung by Francisco Amor.
  • Melodía Oriental, meaning ‘Eastern Melody’; recorded by Francisco Canaro on 16 May 1940; a tango with music composed by Juan Carlos Howard and Roberto Zerrillo, lyrics by Enrique Cadícamo, and sung by Francisco Amor.
  • Pájaro Ciego, meaning ‘Blind Bird’; recorded by Francisco Canaro on 22 May 1940; a tango with music composed by Antonio Bonavena, lyrics by Lito Bayardo, and sung by Francisco Amor and Ernesto Famá.
  • El Día Que Te Fuiste, meaning ‘The Day That You Left’; recorded by Francisco Canaro on 9 May 1940; a vals with music and lyrics composed by Héctor Lomuto, and sung by Francisco Amor.
  • Muchachita Porteña, meaning ‘Little Girl Of Buenos Aires’; recorded by Francisco Canaro on 26 January 1940; a vals with music composed by Mariano Mores, lyrics by Alberto Vacarezza, and sung by Francisco Amor.
  • En Esta Tarde Gris, meaning ‘On This Grey Afternoon’; recorded by Francisco Canaro on 9 May 1941; a tango with music composed by Mariano Mores in 1941, lyrics by José María Contursi, and sung by Francisco Amor.
  • Copa De Ajenjo, meaning ‘Cup Of Absinthe’; recorded by Francisco Canaro on 19 June 1941; a tango with music composed by Juan Canaro, first recorded in 1930, lyrics by Carlos Pesce, and sung by Francisco Amor.
  • Bajo El Cielo Azul, meaning ‘Under The Blue Sky’; recorded by Francisco Canaro on 9 May 1941; a vals criollo with music composed by Francisco Canaro, lyrics by Ivo Pelay, and sung by Francisco Amor.
  • En La Noche Azul, meaning ‘In The Blue Night’; recorded by Francisco Canaro on 9 Janaury 1941; a vals with music composed by Francisco Maquiera, lyrics by Juan Carlos Patrón, and sung by Francisco Amor.
  • Lo Que El Viento Se Llevo, meaning ‘Gone With The Wind’; recorded by Francisco Canaro on 9 January 1941; a tango with music composed by Roberto Luratti, lyrics by Alfredo Basso, and sung by Francisco Amor.
  • Amor, Amor Veni, meaning ‘Love, Love, Come’; recorded by Francisco Canaro on 9 January1 941; a vals with music and lyrics composed by Mariano Ramiro Ochoa Induráin, and sung by Francisco Amor.

Wei-Siong Liang – tango & the martial arts

Wei-Siong Liang of Launceston discusses 2018-01-02 Wei-Siong Liangtango from the perspective of martial arts, and the singing of Francisco Amor features, along with a retrospective look at Julie Taylor’s Paper Tangos. That’s Tango Capital, Sunday evening from 7:00pm to 8:00pm:

Image Credit: Wei-Siong Liang.

PLAYLIST:

  • Cuartito Azul, meaning ‘Little Blue Room’; recorded by Francisco Canaro on 14 September 1939; a tango with music composed by Mariano Mores in 1938, lyrics by Mario Battistella, and sung by Francisco Amor.
  • Bajo El Cielo Azul, meaning ‘Under The Blue Sky’; recorded by Francisco Canaro on 9 May 1941; a vals criollo with music composed by Francisco Canaro, lyrics by Ivo Pelay, and sung by Francisco Amor.
  • Mate Cocido, meaning ‘Steaming Hot Maté’; recorded by Francisco Canaro on 30 March 1939; a ranchera with music composed by Enrique N García, lyrics by Lito Bayardo, and sung by Francisco Amor. The name is a reference to the tea brewed from the leaves of a South American holly bush.
  • En Esta Tarde Gris, meaning ‘On This Grey Afternoon’; recorded by Francisco Canaro on 9 May 1941; a tango with music composed by Mariano Mores in 1941, lyrics by José María Contursi, and sung by Francisco Amor.
  • Un Cacho ‘E Tango, from lunfardo, meaning ‘A Cluster Of Tango’; recorded by Alfredo De Angelis on 30 May 1952; a tango with music composed by Alfredo De Angelis, lyrics by Francisco Amor, and sung by Carlos Dante.
  • El Estrellero, meaning ‘The Star’; recorded by Florindo Sassone on 15 April 1953; a tango with music composed by Mariano Mores, lyrics by Francisco Amor, and sung by Rodolfo Galé. The name is a reference to the leading man of a show.
  • Milonga Del Ángel, meaning ‘Dance Of The Angel’; recorded by Astor Piazzolla in 1985; a concierto with music composed by Astor Piazzolla in 1965.
  • Pensalo Bien, meaning ‘Think It Over’; recorded by Juan D’Arienzo on 22 June 1938; a tango with music composed by Juan José Visciglio, lyrics by Luis Alberto López, and sung by Alberto Echagüe.