Neotango Rage!

2018-05-18 - Neotango Rage

NeoTango Rage rocked the Gold Coast this month, Daniel Binelli features, and the interview with DJ Alex Nodelman concludes. That’s Tango Capital this Sunday evening from 7:00pm to 8:00pm:

Image: NeoTango Rage, on the Gold Coast, May 2018

PLAYLIST:

  • Un Momento, meaning ‘A Moment’; recorded by Horacio Salgan on 20 May 1953; a vals with music composed by Enrique Francini and Héctor Stamponi, first recorded in 1951, lyrics by Homero Expósito, and sung by Roberto Goyeneche.
  • La Beba, meaning ‘The Baby Girl’; recorded by Osvaldo Pugliese on 25 April 1972; a tango with music composed by Osvaldo Pugliese, first recorded in 1946.
  • Aromas, meaning ‘Scents’; recorded by Orquesta del Tango de Buenos Aires in 1990; a tango with music composed by Osvaldo Fresedo in 1923 and lyrics by Emilo Augusto Oscar Fresedo.
  • Siempre Me Quedará, meaning ‘I Will Always Stay’; recorded by Bebe in 2004; a alternative piece with music and lyrics composed by Maria Nieves Rebolledo, and sung by Bebe. It’s about a miscarriage
  • Last Tango In Paris; recorded by Supertangox in 2007; a alternative piece with music composed by Gato Barbieri, first recorded in 1972. The music was writtenfor the film in which the only tango is Ballroom Tango
  • Infamia, meaning ‘Infamy’; recorded by Juan D’Arienzo on 15 December 1941; a tango with music and lyrics composed by Enrique Santos Discépolo in 1939, and sung by Héctor Mauré.
  • Enamorada, meaning ‘Enamoured’; recorded by Juan D’Arienzo on 23 June 1943; a tango with music and lyrics composed by Principe Cubano, first recorded in 1937, and sung by Héctor Mauré.
  • Compadrón; recorded by Juan D’Arienzo on 22 December 1942; a tango with music composed by Luis Nicolas Visca in 1927, lyrics by Enrique Cadícamo, and sung by Héctor Mauré. The name is a reference to one of the ‘compadritos’, the displaced gauchos that drifted to Buenos Aires seeking work.
  • Milonga Sentimental, meaning ‘Sentimental Milonga’; recorded by Otros Aires in 2004; a milonga with music composed by Sebastián Piana in 1932 and lyrics by Homero Manzi. In it you can hear samples of Carlos Gardel singing it in 1933.

 

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